M.E. Proctor
The death of April Easton makes no sense. She was a jazz singer working the clubs. Maybe the recording contract she just signed would have been her breakthrough. It certainly wasn’t a motive for murder. Steve Robledo, Houston PD, is on the scene. He’s known for working fast and closing cases. This one has all the markings of a head scratcher. And when witnesses and security cameras confirm Declan Shaw, a local P.I. with police connections, spent the night with the woman, it just makes everything more complicated.Not that Declan has anything to do with the murder. He likes music and he liked April. He certainly didn’t kill her.A collaboration, uneasy at first, is in the works. Declan can’t get April out of his head. Her memory is fading and he wants to hang on to it. What better way than to find more about her? Steve is running out of time, a few more days and he’ll have to turn his attention to other cases. They strike a mutually beneficial alliance.For the powerful men behind April’s death, that alliance means trouble. Declan is stubborn and resourceful. He worries them a lot more than the police. There’s no telling what he could dig up. The stakes are high: a trial with the death penalty in play, cartel ties, money. Ultimately, it’s always about money.Declan has to be stopped, incapacitated. He’s put under surveillance, a trap is set to ensnare him, a campaign is launched to discredit him-The P.I. and the Dead Jazz Singer. It’s a mistake. Declan will bite back.Many will get hurt.