Calvin G. Seerveld
Art, for Seerveld, belongs to the very infrastructure of a good society, in the same way that a country’s economy, transportation system, or media network do: 'With a vital artistic infrastructure priming its inhabitants’ imaginativity, a society can dress its wounds and be able to clothe and mitigate what otherwise might become naked technocratic deeds.' Redemptive Art in Society, introduced by Adrienne Dengerink Chaplin, addresses the need for Christian public artistry and ways in which Christians can be stewards of art. 3